Katerina Evangelatos for GB magazine
Every portrait carries a story, a summary about the one you have in front of your lenses. My recent photoshoot with Katerina Evangelatos was one of those moments where art, personality, and space came together seamlessly. Photographing her for Grand Bretagne magazine of Grande Bretagne Hotel at the Athens Epidaurus Festival — a space she has shaped with her vision was not just about capturing an image, but about reflecting the depth of her artistic and technical knowledge.
Katerina Evangelatos is one of the most dynamic figures in contemporary Greek theater. As Artistic Director of the Athens Epidaurus Festival, she redefined what the festival could be: a living dialogue between tradition and modernity, a celebration of drama, music, and performance that speaks to the present while echoing the past. In our conversation and during the shoot, I could sense how deeply she embodies both the intellectual rigor and the aesthetic sensitivity that theater demands.
What fascinated me most was her ability to hold together the vastness of the festival — productions ranging from ancient Greek drama to experimental contemporary works — while never losing her focus on the human side of performance. She spoke in her interview about theater as a “breath of fresh air and a provocation,” and I wanted to let that duality shine through in her portraits: the calm determination, the youthful energy, and the elegance of someone who leads with both mind and heart.
For me, photographing the portrait of Katerina in the festival space was like placing her back into the canvas she herself has painted over the years. The architectural lines, the light, and the history of the Athens Epidaurus Festival became a frame to highlight her presence — a woman of vision, aesthetic clarity, and technical mastery.
As a portrait photographer in Athens, Greece, my aim is always to connect the environment, the subject, and the inner story. With Katerina Evangelatos, this connection happened naturally. Her portraits are not just images of a director, but reflections of a woman who has reimagined how Greece tells its stories on stage, and who continues to inspire with her balance of strength, creativity, and elegance.
Johanna Korantzopoulou
Johanna Korantzopoulou is a yoga instructor whose practice embodies the perfect balance of strength, grace, and inner power. Through this photography series of yoga portraits, my artistic goal was to go beyond documenting physical poses — I wanted to visually express the quiet force, resilience, and feminine energy that define Johanna’s presence on and off the mat.
I believe that yoga photography must capture not just movement, but emotion. Johanna moved with a seamless flow, demonstrating how each posture is not merely a shape, but a living expression of breath, intention, and self-awareness. With each image, I sought to translate the subtle connection between body, mind, and spirit into an artistic narrative that celebrates the transformative power of yoga.
A central element of this project was highlighting woman power in yoga — the way feminine strength expresses itself through both softness and intensity, through vulnerability and discipline. Johanna’s energy in front of the camera is magnetic: strong yet fluid and confident. This duality is something I strive to bring out in all this yoga photography work, crafting portraits that honor not only physical form but also personal journey and inner resilience.
The setting we chose was intentionally minimal, allowing natural light and movement to shape the atmosphere. Every detail — from the curve of the hands to the extension of the spine — was composed to reflect the artistry inherent in yoga practice. As a photographer, I am always drawn to projects where I can merge technical precision with emotional depth, and this collaboration with Johanna offered exactly that.
Maria Papadopoulou
This photoshoot with Maria Papadopoulou took place at the modern offices of Ant1 Group in Athens. The project was created for ACCA’s AB Magazine, accompanying an inspiring feature about women in business and leadership. Maria Papadopoulou’s story, published under the title Leaning In, highlights her role in the media and finance world, and the valuable perspective she brings to both fields.
Authentic and professional portraits of a woman in her natural working environment. The Ant1 Group offices offered a bright and structured backdrop that reflected both modern business culture and the personal strength of the subject. Through careful use of natural light and thoughtful composition, the portraits aimed to balance a sense of authority with a human, approachable tone — the same balance that defines women leaders like Maria.
Photographing women in business roles is always an opportunity to create portrait photography that moves beyond the surface. In this commercial woman photoshoot, the focus was on Maria’s presence and personality as much as on her professional identity. Every detail — from the background to the lighting and her expression — was chosen to highlight her role as a decision-maker in a competitive and evolving industry.
You can see the full feature article and read more about her professional journey in AB Magazine’s February 2025 issue here.
This woman corporate photoshoot was designed to capture not only the face of modern leadership but also the essence of women shaping the future of business.
Summer Wine Memories
Summer Vacation Wine List is a visual storytelling project for Oinochoos Magazine of Kathimerini News that blends the flavors of fine wine with the essence of summer and the poetry of memories. Picture a serene Greek island, where sun-drenched days stretch lazily into golden evenings.
At the heart of this narrative is a vibrant, free-spirited woman in her early 30s, savoring the simplicity of a summer escape. Her love for wine is more than a taste—it’s a connection to the moments that shape her journey. A chilled white wine mirrors the crisp morning light as she strolls barefoot along the shoreline. A bold red accompanies the laughter of an intimate sunset gathering. Each sip becomes a chapter, every title a memory, blending emotions and flavors into a sensory tapestry of sun, sea, and time well spent.
This project invites the viewer into her story, where wine is not just a drink but a companion to life’s most cherished experiences—an aromatic bridge between taste and memory, weaving summer’s essence into moments that linger long after the season fades.
From the magazine’s intro
“What does it take to create the ultimate wine list for the summer? A team consisting of sommeliers, master sommeliers, oenologists and journalists, taste and recommend a mix of 50 Greek producers. High quality wines from different varieties, winemaking styles. Wines with unique characteristics. We wrote short stories about them for the summer”.
Special Thanks to all the contributors
Chief editor Nena Dimitriou
Set Design & styling Rosa Karac
Girl Eirini Galani
Assist Antonis Kavouris
Production & Location Nasia Diamantidis
And all the friends and family members from Aegina Island that opened their homes and hearts to us. Athina Pikioni & Aris Sorris, Anthe Loizos, Kaiti Giannouli, Panagiotis Marinis.
Ioanna Tsilili for Oinochoos Magazine
Portrait photoshoot of the wine maker and artist, Ioanna Tsilili for Oinochoos Magazine. Ioanna Tsilili is a chemical Engineer, Winemaker, Master Distiller and cinema addict . Founder of @tsililisterres.
Domaine Hatzimichalis Wine Campaign
With all the support from Leonidas and Panagiotis Hatzimichalis, I followed the wine route in Domaine Hatzimichalis for this greek wine photography campaign. From the Valley of Atalanti, the vineyards, its grounds and the winery until bottling. Every space the human element turns it into a space of creation and defines it. The richness of the natural environment, the value and respect of the ecosystem are highlighted. In this campaign I felt that I followed and captured the steps of our ancestors, from the past to the present.
The producer Dimitris Hatzimichalis is the creator. He is the one who determines the entire production process. He is the one who takes care of quality in all its stages. He is the one who envisions, who chooses, who evolves, always with the aim of the taste, the aroma and the perfect experience of a wine. He made his first wine in his backyard at the age of 19 and several decades later he had excelled the process and became one of the top wine makers in Greece. When Dimitris Hatzimichalis first visited Atalanti Valley he was amazed by its unique ecosystem and fertile land; without second thoughts he bought his first vine hectares in 1973. Today, his privately owned vineyards have reached 220 hectares (520 acres).
In the wine photography process, Hatzimichalis family ties emerge through the relationship with the land, cultivation, passing of wine philosophy from generation to generation. The man who envisioned and made winemaking a reality in the Koilada Atalanti Dimitris Hatzimichalis and now his sons, Leonidas and Panagiotis, welcome a new look and all together continue the tradition and expand its borders. Both of them are passionately contributing to the family business with their modern mindsets. They work hard to keep the tradition of the winery and maintain their father’s legacy. Their vision, is to expand the brand further and enter in new markets abroad. Lastly, their mission for the winery is to make it even more environmentally sustainable, by reducing wastes, energy/water consumption and by using recyclable materials.
Every year at Domaine Hatzimichalis, the harvest and pruning periods are performed by a group of skillful and experienced women. This was a deliberate choice, as Greek women are known for their caring, patient, and tender character, in addition to their overall courage and strength. These women are who Domaine Hatzimichalis trusts in our tradition of hard work. Dimitris Hatzimichalis always been amazed and inspired by their care for the vineyards, which is essential for the quality of the wines and the brand’s success.
The photography campaign will accompany brand's ads worldwide, exhibitions walls, press releases and magazines presentations.
Dora Bakogianni
In this portrait photography for Kappa Magazine of Kathimerini News, Dora Bakogianni stand in front of my camera, in the middle of the historical Dionysios Areopagitou Street in Athens.
"Celebrity is a mask that eats the face", said the American writer John Updike. For more than 30 years, Dora Bakogianni has been a famous politician. What is her real face and how long has she "endured" behind the "mask" of political celebrity? In a way, that was the theme of our meeting in her office, with its double view of the Parthenon and the Pillars of Olympian Zeus, at the beginning of Dionysios Areopagitou Street, in Athens. The eldest daughter of Constantinos Mitsotakis, the older sister of the president of New Democracy, Kyriakos Mitsotakis, the former minister and almost the leader of the party is the female parliamentarian who has gone through perhaps the most difficult tests and has recorded the longest journey in politics to date. Where does the self-confidence that many admire about her come from, or the arrogance that just as many others insist on accusing her of?
Why be in politics when you know in advance that you will be misunderstood, beaten and never recognized? "There are a million reasons not to be in politics and probably all of them are right. But there is something about politics that you cannot find elsewhere. That incredible satisfaction that you have the ability to change a little stone in things and in the lives of others. It's not true that you can't. You can. Evrytania today is not the same as Evrytania in 1989. I used to cross the rivers walking on a log and there are now bridges. Evrytania had four doctors and now she has thirty-six, while she had reached forty-eight.
"And yet, I have no faith in myself," she says as she begins to slowly and steadily remove the mask, wanting to show that her real face is the same as the one she's had since she was a little girl in Athens and Crete. "It's a myth that I have a lot of confidence. Instead, I'm a woman with terrible insecurities and too many complexes. My main concern for many years was my height. Terrible complex. No boy would dance with me. I was the tallest and ugliest in the class. My mom sent me to ballet. But the teachers made me dance backwards. Eventually I found myself near a warehouse and left, because I was messing up the line. My grandmother had told me that there was no way I would ever find a man in my life, because as tall as I am, who would care to take me? And at school, my grades reached 16-17 at the most. I saw the twenties with binoculars."
The smile as a "defense"
But how does this description square with her public image? "When I entered politics, confidence became part of my public image, because what I didn't want at all was to reveal those fears and that insecurity. I felt that if others took my great weaknesses for granted, they would trample me down. After that, no one ever found out what my fears were. I was once attacked for smiling. But the smile is a pure form of defense. Apart from the fact that I smile by nature, in difficult times the smile is a defense, and I would say that it is a very good defense, since it irritates a lot of people..."
Text by Pavlos Papadopoulos for Kathimerini
