Alix Dunn for ICAEW Magazine
Alix Dunn for ICAEW magazine. Her portrait photoshoot took place in Athens for her interview about Business and Data managment. Alix Dunn gives advises on technology and data for social impact. She is facilitate inclusive spaces across sectors for complex debate and ethical technology production and she is giving talks about the messy interactions between technology and organisations. Special Thanks to the magazine's crew, art director Wes Mitchell and of course Alix for the coopereation.



Tim Ananiadis for Kappa Magazine Cover
Tim Ananiadis, the general manager of the hotels Grand Bretagne and King George in Athens, shared his lessons of a brilliant career of four decades on three continents and became the cover story of the new issue of "Kappa" magazine of Kathimerini. Mr Ananiadis Portrait photography took place in Grand Bretagne's ballroom, reception and Winter Garden. The Published photos follows.
Text: George Tsiros
Photo editor: Ioanna Chronopoulou





Oinoxoos After Quarantine Cover
The greek magazine "Oinochoos" about the Greek wine and wine culture, first cover after quarantine days. The idea was a cover of showing our common emotions due of the quarantine days and the step by step come back of us in normality. Over all comes the role of wine in the greek culture and economy.
In this magazine cover I used portrait photography and a dystopic scenery as backround to capture the different forms and emotions of human beings on the five magazine editors to describe balance - independence - the next unknown step - stability - social distancing. A look to the future, ours and the Greek wine from the ancient times to the present day, is a cornerstone of our culture, tradition and prosperity.
Dear editors of "Oinochoos" magazine thank you from the bottom of my heart for your cooperation and trust for this cover.
Published on June 6th with Kathimerini newspaper Sunday Edition.



Minas Designs Jewellery

Headshot portrait of jewellery designer Minas . The photoshoot was for vogue greece and took place in his home in Athens.
Constantinos Markoulakis
Greek Actor Constantinos Markoulakis headshot photography in Athens Greece for Kappa Magazine cover




Dora Bakogianni
In this portrait photography for Kappa Magazine of Kathimerini News, Dora Bakogianni stand in front of my camera, in the middle of the historical Dionysios Areopagitou Street in Athens.
"Celebrity is a mask that eats the face", said the American writer John Updike. For more than 30 years, Dora Bakogianni has been a famous politician. What is her real face and how long has she "endured" behind the "mask" of political celebrity? In a way, that was the theme of our meeting in her office, with its double view of the Parthenon and the Pillars of Olympian Zeus, at the beginning of Dionysios Areopagitou Street, in Athens. The eldest daughter of Constantinos Mitsotakis, the older sister of the president of New Democracy, Kyriakos Mitsotakis, the former minister and almost the leader of the party is the female parliamentarian who has gone through perhaps the most difficult tests and has recorded the longest journey in politics to date. Where does the self-confidence that many admire about her come from, or the arrogance that just as many others insist on accusing her of?

Why be in politics when you know in advance that you will be misunderstood, beaten and never recognized? "There are a million reasons not to be in politics and probably all of them are right. But there is something about politics that you cannot find elsewhere. That incredible satisfaction that you have the ability to change a little stone in things and in the lives of others. It's not true that you can't. You can. Evrytania today is not the same as Evrytania in 1989. I used to cross the rivers walking on a log and there are now bridges. Evrytania had four doctors and now she has thirty-six, while she had reached forty-eight.
"And yet, I have no faith in myself," she says as she begins to slowly and steadily remove the mask, wanting to show that her real face is the same as the one she's had since she was a little girl in Athens and Crete. "It's a myth that I have a lot of confidence. Instead, I'm a woman with terrible insecurities and too many complexes. My main concern for many years was my height. Terrible complex. No boy would dance with me. I was the tallest and ugliest in the class. My mom sent me to ballet. But the teachers made me dance backwards. Eventually I found myself near a warehouse and left, because I was messing up the line. My grandmother had told me that there was no way I would ever find a man in my life, because as tall as I am, who would care to take me? And at school, my grades reached 16-17 at the most. I saw the twenties with binoculars."
The smile as a "defense"
But how does this description square with her public image? "When I entered politics, confidence became part of my public image, because what I didn't want at all was to reveal those fears and that insecurity. I felt that if others took my great weaknesses for granted, they would trample me down. After that, no one ever found out what my fears were. I was once attacked for smiling. But the smile is a pure form of defense. Apart from the fact that I smile by nature, in difficult times the smile is a defense, and I would say that it is a very good defense, since it irritates a lot of people..."
Text by Pavlos Papadopoulos for Kathimerini








