Dimitris Papadimitriou
With the title "Cooking is inner prayer", Gastronomos magazine, host the interview of the composer Dimitris Papadimitriou for the August issue. His portrait photography took place at his home accompanied with the great taste of his recipes and an interesting conversation about his music experiences.
Music for cinema, theater and television, symphonic works, pioneering actions and vision. The composer Dimitris Papadimitriou It is still thirsty, after forty years of creation, and quenches the thirst of its recipients. With its prestige and consistent attitude, it brings together artists and people with similar concerns, at the same time giving a step to younger people to show their talents. He is steeped in our popular wealth, he owns its secrets and peculiarities, he knows deeply the ways and places of his libation. His folk songs have his "academic" aura, but they are not ossified, that is why they were sung, loved, they were even danced by the crowd, and most importantly, they stayed!
Quiet strength. It has a "plan", earthly, but also transcendental at the same time. Global, cosmopolitan, that is to say "Greek". He becomes a heretic to forge new paths, he becomes a "wrecker" to flatten swampy stereotypes and build new bridges. He loves cooking and has even received professional offers for his performance. So, my invitation for a culinary interview in a meal at his house. Dimitris Papadimitriou is a hospitable host. The space is similar to his work, flooded with unique art objects, some of which have family roots.
Text by Kostas Balachoutis
Dimitris Papadimitriou has written symphonic works, pieces for solo instruments and combinations of instruments, music for theater and for Greek cinema (Electric Angel, Revenge, Archangel of Passion, The Tree We Hurt, Victory of Samothrace, Lovers in the Time Machine, The Life One and a Half Thousand, The Light Going Out etc.), for Greek television and for television series in Sweden, France, Germany and elsewhere. The general public discovered him because of television.
Known from the beginning of the 1980s until today for his fine compositions, several of which dressed up well-known television hits (such as Anastasia by Giorgos Kordellas in a script by Mirela Papaikonomou, Don't Be Afraid of Fire, Due to Honor, Life which I did not live, Leni and the Witches of Smyrna), Dimitris Papadimitriou has also collaborated with Eleftheria Arvanitaki in a cycle of songs with the general title Songs for the Months, where he set well-known Greek poets to music.
In 2003 he took over as director of the Third Program and in September 2010 general director of Hellenic Radio[5]. Busy but versatile, after his long-term presence in the administration of ERT radio, he founded the Greek Project, a non-profit organization for the promotion of Greek and not only music[6]. In 2006 he gave a concert in the General Assembly Hall of the United Nations Organization on the occasion of the organization's 60th birthday. He was born in Alexandria, Egypt in 1958.
Georgios Xenos
“We don’t know after all who is really imprisoned. The one outside or the one inside? And what kind of prison is this? Many people out there remain voluntarily incarcerated. So, I would tell you that many times being inside also involves a kind of asceticism. It has a loneliness characterized by greater freedom. So it always depends on the reason for which you are imprisoned”.
Interview to Giannis Padazopoulos
Georgios Xenos was born in Athens in 1953. He studied at the Ecole nationale superieure des Beaux Arts- Section des Arts Plastiques in Paris, during the years 1976 – 1982.
From 1983 to 1986 he lived and worked in Athens. In 1987 he lived and worked in Mönchengladbach, Germany.
From 1988 to 1992 he lived and worked in Berlin, where he experienced the historical events of the Fall of Berlin’s Wall. During this period, he exhibited his work in Winckelmann Museum, Stendal (June – October 1991) and in Pergamon Museum, Berlin (January – November 1992).
Since 1993 he has been living and working in Athens.
MeToo - Violence Awareness
It is with great pleasure that we announce and invite you to the 1st "Gendered Violence - Violence Against Women" Awareness Exhibition.
Baumstrasse, Servion 8 (2nd Floor) Botanikos, Athens, 104 41
June 10-11, 2023
1.30 p.m. - 9.30 p.m.
Specifically, the European Network Against Violence (ENV) is organizing a two-day event on June 10-11, 2023, with the aim of raising public awareness about domestic violence against women, sexual violence and the relationship them with our patriarchally structured society. The action is implemented within the framework of the #MeNow_MeToo initiative (www.menowmetoo.gr) in collaboration with the Olympian Sofia Bekatorou.
Through works of art, speeches, theatrical events and workshops, the goal of the E.D.k.B. is to raise concerns and tell stories of women or artists who want to present them through art and visual creation.
More than 20 artists participate in the exhibition with works of art (paintings, photographs, theatrical performances, etc.). In the area of the exhibition, there will also be a bazaar with handmade items of female survivors of domestic violence and/or sexual violence as well as volunteers of the E.D.k.B.
The exhibition will be open to the public 13.30 – 21.30. The entrance is free. On Saturday and Sunday evening there will be events (speeches, theatrical events, discussion).
Artists: Efmorfia Vallas, Dimitris Vlaikos, Stavroula Geriki, Ioanna Georgopoulou, Anastasia Giannoulaki, Kosmas Dalaklis, Electra Etaridou, Angelina Zoumbouli, Tzortzia Kosmatopoulou, Konstantinos Kalfountzos, Dora Kotsi-Felicsi, Mary Kyraki, Emmanuel La pidakis, Aikaterini Mavroudi, Panagiotis Xoulogis, Christina Papatoli, Chrysoula Skepetzi, Vicky Skotida, Maria Tsouknakis, Ariadni Phytopoulou, Georgia Handzi, Alexandra Christakopoulou, the theater group "She and They" (Elene Alifragki, Spyros Anastasinis, Tasos Chalas, Andreas Psyllias)
Event: https://www.facebook.com/events/761715388965422/?ref=newsfeed
See the detailed Program here
The proceeds will be allocated for the purposes of the E.D.k.B. and covering the costs of legal support for abused women and/or children.
International Womens Day
From the International Womens Day campaign of Grand Bretagne Hotel. "Celebrating our lovely ladies, our heroes, our daily inspiration. Happy #InternationalWomensDay to all the strong, powerful women across the world. Keep shining!"
Headshot photography for Lena Manta
Headshot photography of the greek author Lena Manda. She is Greece’s best-selling women’s fiction author of almost 2 million copies of her books sold in Greece and Cyprus alone, and whose books have been sold to Albania (THE HOUSE BY THE RIVER/LOVE LIKE RAIN/COFFEE BREWING ON THE EMBERS/THE LAST CIGARETTE/THEANO, SHE-WOLF OF ISTANBUL), Bulgaria (WALZ WITH 12 GODS), China (WALZ WITH 12 GODS), Italy (THE HOUSE BY THE RIVER/LOVE LIKE RAIN), Serbia (COFFEE BREWING ON THE EMBERS/LETTER OF GOLD), Spain (THE HOUSE BY THE RIVER), and Turkey (THEANO, SHE-WOLF OF ISTANBUL/THE HOUSE BY THE RIVER) as well as World English rights (THE HOUSE BY THE RIVER/THE LETTER OF GOLD (Rights under offer)). She is a true commercial voice to be reckoned with and every new book is a tour-de-force in the Greek publishing world.Lena Manta was born in Istanbul, Turkey, to Greek parents. She moved to Greece at a very young age and now lives with her husband and two children on the outskirts of Athens. Although she studied to be a nursery school teacher, Lena instead directed her own puppet theater before writing articles for local newspapers and working as a director for a local radio station. Manta was proclaimed Author of the Year in both 2009 and 2011 by Greek Life & Style magazine and received the 2016 Public Book Award for Inspirational Heroine for her book ONE LAST APOLOGY. With a charismatic personality that exudes positivity and inspires all who meet her, she is extremely popular in the press as well as social media and Facebook where she is immensely active. Just as her stories and characters captured Greek readers’ hearts, so we believe that they will continue to do the same outside Greek borders. PSICHOGIOS PUBLICATIONS have published 17 of her books – mainly novels. All of them have sold around 100,000 copies each while her best-seller, THE HOUSE BY THE RIVER, has sold over 250,000 copies. Her books have been translated into English, Turkish, Albanian, Italian, Spanish, English, Chinese, Bulgarian, Serbian and Arabic. her book was released in 2001. Sixteen other novels of hers, as well as two collections of short stories, have been published by Psychogios publications. Her books have sold two million copies. Lena's Manta portrait photoshoot took place at her place in Athens.
Dimitra Milona Headshot
Headshot photography for the sailing world champion Dimitra Milona. She started sports at the age of eight. She received her first important distinction in 1993, where she won (as skipper) the Panhellenic championship (Overall, and women) of type 420 boats. In the same year, she also won 5th place with her crew in the Laser II world championship in Lago di Garda . This was the beginning of an impressive sporting career. From 1993 to 2002, she championed in Panhellenic, Balkan, Mediterranean, Eurolymp, but also in global competitions, such as the "Tropheo Princesa Sofia" in Majorca (overall and women's gold medal in the 420 boats). Her journey culminated with a bronze (1998) and a gold (1999) medal at the world championships. Since 2001 she has been serving as an officer of the Navy (Naval Cadet School and NCO School (SMYN)) and lives in Aegina with her family.
Domaine Hatzimichalis Wine Campaign
With all the support from Leonidas and Panagiotis Hatzimichalis, I followed the wine route in Domaine Hatzimichalis for this greek wine photography campaign. From the Valley of Atalanti, the vineyards, its grounds and the winery until bottling. Every space the human element turns it into a space of creation and defines it. The richness of the natural environment, the value and respect of the ecosystem are highlighted. In this campaign I felt that I followed and captured the steps of our ancestors, from the past to the present.
The producer Dimitris Hatzimichalis is the creator. He is the one who determines the entire production process. He is the one who takes care of quality in all its stages. He is the one who envisions, who chooses, who evolves, always with the aim of the taste, the aroma and the perfect experience of a wine. He made his first wine in his backyard at the age of 19 and several decades later he had excelled the process and became one of the top wine makers in Greece. When Dimitris Hatzimichalis first visited Atalanti Valley he was amazed by its unique ecosystem and fertile land; without second thoughts he bought his first vine hectares in 1973. Today, his privately owned vineyards have reached 220 hectares (520 acres).
In the wine photography process, Hatzimichalis family ties emerge through the relationship with the land, cultivation, passing of wine philosophy from generation to generation. The man who envisioned and made winemaking a reality in the Koilada Atalanti Dimitris Hatzimichalis and now his sons, Leonidas and Panagiotis, welcome a new look and all together continue the tradition and expand its borders. Both of them are passionately contributing to the family business with their modern mindsets. They work hard to keep the tradition of the winery and maintain their father’s legacy. Their vision, is to expand the brand further and enter in new markets abroad. Lastly, their mission for the winery is to make it even more environmentally sustainable, by reducing wastes, energy/water consumption and by using recyclable materials.
Every year at Domaine Hatzimichalis, the harvest and pruning periods are performed by a group of skillful and experienced women. This was a deliberate choice, as Greek women are known for their caring, patient, and tender character, in addition to their overall courage and strength. These women are who Domaine Hatzimichalis trusts in our tradition of hard work. Dimitris Hatzimichalis always been amazed and inspired by their care for the vineyards, which is essential for the quality of the wines and the brand’s success.
The photography campaign will accompany brand's ads worldwide, exhibitions walls, press releases and magazines presentations.
Let There Be Light
Interview By Alexia Amvrazi | July 21st, 2022 about MYRMIΔΟNES to Greece-is.com
In an ode to his native island of Aegina, the photographer talks to Greece Is about its people, its light, and the experiences that shaped his book.
It took 20 years and over 2000 photos for Dimitris Vlaikos to decide it was time to place the soul of his work into the body of a beautiful hard-cover coffee table book that could grace homes around the world.
Titled “Myrmidones” after the name given to the inhabitants of his native Aegina (the introduction aptly explains the various possibilities of where the name originates), the book is composed of images depicting an extraordinary blend of local characters, landscapes and everyday details. The book is mostly anthropocentric, because Vlaikos has honed the art of capturing his subjects’ personal essence without guidance, a talent that has gained him a great reputation as a portrait artist and numerous assignments to photograph well known personalities.
Leafing through the book was a deeply touching experience. The way in which the photographer has captured the essence of his subjects – human or not – makes it an ode of sorts to his home island, rich in emotion, but characterized by stark realism.
Vlaikos spends half of the year in Aegina, chiefly during the summer months, and the rest of his time travels to and fro between various work projects. By creating this book, it seems as if he has established an unbreakable bond with the Saronic island’s people, land and elements, regardless of where he finds himself.
It’s apparent by looking at your book that you harbor a great love for your island.
There are amazing people living there, and it is multifaceted in a way that I’ve rarely witnessed elsewhere. Also, what I love about Aegina is that you can be sitting at a café where there’s a minister drinking coffee and at the table next to him, a fisherman – and the waiter will treat each of them with the same courtesy – or the same rudeness! Some people have described the island as ataxic. You feel and see that.
I think that has a lot to do with the fact that most of the island is flat – so all houses are on the same level, and everyone has the same access and right to light. It’s the same with the sea. There aren’t some beaches that are more exclusive than others, anyone can go to any beach, or rock, and swim. Overall, Aegina seems to bring out a life force in people, and if you’re the kind of person that wants to evolve, it offers you that possibility.”
How did the book project evolve?
The Myrmidones reached a very high level of civilization in antiquity thanks to the elements of their land – the rock, the light, the sea, the raw materials, their drive to create. And until today, these elements remain essentially the same. So the book was my way of juxtaposing the Myrmidones of the past with those of today.
I also wanted to create a book that is like an art object, a beautiful memento to have in one’s house. I put a lot of care into every aspect – including the use of only black ink, which is very rare. I collaborated with a very good friend, the graphic artist Dimitris Makaratzis, who created the cover, as well as Despina Giannouli, who wrote the texts (in Greek and English) and is my wife and writes and directs theatre plays. My professor Vasilis Artikos, whose exhibition “In drum and dance at the rock-cut churches of Lalibela” is currently on show the Byzantine and Christian Museum in Athens, provided much advice and support, as well as other close friends.
How does the light of Aegina and influence your work?
In my research, I centered on the various elements of light. [In the book, Despoina Giannouli writes: “Thanks to the geomorphology of the island, almost all of its inhabitants can savor the light from sunrise to sunset. The paspara, the white stone and the fine-grained soil reflect the sun’s rays intensifying the colors of nature.”]
It’s not by chance that Nikos Kazantzakis lived there for 20-30 years, or Giannis Moralis, for most of his life, or Christos Kapralos, or the poet Katerina Anghelaki-Rooke, and they all produced their work there – it wasn’t their place for holidays but for creative work. And today the island is home to over 100 artists, so this land, and especially its light has something special that has drawn so many creators from antiquity until the present day. Light is my tool, it’s what made me want to evolve my art.
Apart from light, what do you feel are the other strong elements that inspired this work?
I think the energy of the land plays a significant role, but that’s not something that I can define with words. In the book’s introduction to the origin of the name Myrmidones, one of the ways they’re defined is that they were “the people of the “myriad vibrations,” as Aegina was considered to be a region of strong and sacred energy vibrations, a place fertile for spiritual development.
How did you put the book together?
An important part of this book is the rhythm one follows as one turns the pages. I wanted it to create in the viewer a musical rhythm, a transition from image to image through a story of sorts, like a journey.
Hand of a farmer, Mesagros. © Dimitris Vlaikos / "Myrmidones" book cover. © Dimitris VlaikosWhat will become of the rest of the photos you’ve taken?
They will remain in my archives, and maybe I’ll use them in future. I have a space in my studio/gallery space in Aegina where, upon appointment, one can come and see exhibits.
Central distribution of “Myrmidones” is at “Lixnari Aegina” Bookstore. E-mail: lixnari@otenet.gr. Tel: +30 22970 26424. Shipments are made throughout Greece and abroad.
Nikos Stampolidis
Portrait photography for Nikos Stampolidis Director-General of the Acropolis Museum. The Acropolis Museum is included in the best museums in the world, while during its twelve-year operation has created new data in the country’s museum landscape. The selection of Prof. Nikos Stampolidis creates new perspectives and offers additional dynamics to a Museum that has attracted important international distinctions and (has gained) the preference of visitors from Greece and abroad. Nikos Stampolidis, an archaeologist with award-winning work, in addition to being a scholar with excellent training, is a man with a modern understanding of both archaeology and the connection between culture and society. It has the knowledge, the mood, and the vision so that the Acropolis Museum can dynamically continue its highly successful work, as well as expand and multiply its activities “.
Ioannis Angelakis
"I was born in Thessaloniki in 1988 but grew up in Athens. I'm a composer of contemporary experimental music, working, that is, with classical acoustic instruments and exploring idiosyncratic aspects of their physicality. I seek to discover sounds that are not fully controllable by the performers; that are inherently unstable and constantly moving; that entail a particular logic in the way that they unfold; that presup- pose a particular body-instrument relationship, and that call fora new mode of listening, disentangled from classical
forms and traditional parameters and intended for the kind of pleasure that arises from the revelation of sound's internal structures. structures.
Greekness" is expressed in my music through the violent use of instruments, the bluntness of the human voices, and the constant strife between two contradictory elements: disparate musical materials that remain indeterminate and anarchic, and a determinate structure that violently imposes form on the formless and shape on the shapeless. I think that all Greek tragedies thematize the violence stemming from this conflict: a man striving, without order, to shape his course within a condition that is predetermined by the gods. However, violence and bluntness in my work are not just sonic events that point to the Greek identity of my music. They also demarcate violence and barbarism as political concepts. I want my work to be revealing, not because of its bold themes but because the violence in the sound may give prominence to our fragility and vulnerability."
The portrait photography of the composer Ioannis Angelakis took place in his studio in Athens for Electra Hotels Magazine.
Text by Natasha Blatsioy.
