Dimitris Papadimitriou
With the title "Cooking is inner prayer", Gastronomos magazine, host the interview of the composer Dimitris Papadimitriou for the August issue. His portrait photography took place at his home accompanied with the great taste of his recipes and an interesting conversation about his music experiences.
Music for cinema, theater and television, symphonic works, pioneering actions and vision. The composer Dimitris Papadimitriou It is still thirsty, after forty years of creation, and quenches the thirst of its recipients. With its prestige and consistent attitude, it brings together artists and people with similar concerns, at the same time giving a step to younger people to show their talents. He is steeped in our popular wealth, he owns its secrets and peculiarities, he knows deeply the ways and places of his libation. His folk songs have his "academic" aura, but they are not ossified, that is why they were sung, loved, they were even danced by the crowd, and most importantly, they stayed!
Quiet strength. It has a "plan", earthly, but also transcendental at the same time. Global, cosmopolitan, that is to say "Greek". He becomes a heretic to forge new paths, he becomes a "wrecker" to flatten swampy stereotypes and build new bridges. He loves cooking and has even received professional offers for his performance. So, my invitation for a culinary interview in a meal at his house. Dimitris Papadimitriou is a hospitable host. The space is similar to his work, flooded with unique art objects, some of which have family roots.
Text by Kostas Balachoutis
Dimitris Papadimitriou has written symphonic works, pieces for solo instruments and combinations of instruments, music for theater and for Greek cinema (Electric Angel, Revenge, Archangel of Passion, The Tree We Hurt, Victory of Samothrace, Lovers in the Time Machine, The Life One and a Half Thousand, The Light Going Out etc.), for Greek television and for television series in Sweden, France, Germany and elsewhere. The general public discovered him because of television.
Known from the beginning of the 1980s until today for his fine compositions, several of which dressed up well-known television hits (such as Anastasia by Giorgos Kordellas in a script by Mirela Papaikonomou, Don't Be Afraid of Fire, Due to Honor, Life which I did not live, Leni and the Witches of Smyrna), Dimitris Papadimitriou has also collaborated with Eleftheria Arvanitaki in a cycle of songs with the general title Songs for the Months, where he set well-known Greek poets to music.
In 2003 he took over as director of the Third Program and in September 2010 general director of Hellenic Radio[5]. Busy but versatile, after his long-term presence in the administration of ERT radio, he founded the Greek Project, a non-profit organization for the promotion of Greek and not only music[6]. In 2006 he gave a concert in the General Assembly Hall of the United Nations Organization on the occasion of the organization's 60th birthday. He was born in Alexandria, Egypt in 1958.
Stavros Xarchakos concerts 2023
Portrait photography for the greek composer and conductor Stavros Xarchakos. The portrait will accompany the composer's concerts campaign for the summer 2023 in many different places of Greece.
Stavros Xarchakos will share with the audience of Herodium, his musical journeys, accompanied by Maria Farandouri, Yiannis Kotsiras and Iro Saia. One of the leaders of Greek music, inextricably linked to the expression of greek collective adventure from the 1960s until today, Stavros Xarchakos enlists the power of songs, which, as he writes, "show us the way, are allies in fight for a better life and banish fear. Love is revolution, and the eternal Holy Grail for man is Freedom!'
"Songs are allies for a better life, they show us the way and dispel fear. Love is revolution, and the eternal Holy Grail for man is Freedom!" , says the leading composer who has accompanied generations of Greeks with his music from the 60s until today.
Orchestra conducted by Stavros Xarchakos
Performed by Maria Farandouri, Yiannis Kotsiras, Iro Saia.
Athens Epidaurus Festival
Ioannis Angelakis
"I was born in Thessaloniki in 1988 but grew up in Athens. I'm a composer of contemporary experimental music, working, that is, with classical acoustic instruments and exploring idiosyncratic aspects of their physicality. I seek to discover sounds that are not fully controllable by the performers; that are inherently unstable and constantly moving; that entail a particular logic in the way that they unfold; that presup- pose a particular body-instrument relationship, and that call fora new mode of listening, disentangled from classical
forms and traditional parameters and intended for the kind of pleasure that arises from the revelation of sound's internal structures. structures.
Greekness" is expressed in my music through the violent use of instruments, the bluntness of the human voices, and the constant strife between two contradictory elements: disparate musical materials that remain indeterminate and anarchic, and a determinate structure that violently imposes form on the formless and shape on the shapeless. I think that all Greek tragedies thematize the violence stemming from this conflict: a man striving, without order, to shape his course within a condition that is predetermined by the gods. However, violence and bluntness in my work are not just sonic events that point to the Greek identity of my music. They also demarcate violence and barbarism as political concepts. I want my work to be revealing, not because of its bold themes but because the violence in the sound may give prominence to our fragility and vulnerability."
The portrait photography of the composer Ioannis Angelakis took place in his studio in Athens for Electra Hotels Magazine.
Text by Natasha Blatsioy.
Ermis for Kappa Magazine Cover
Ermis Music composer for the cover of Kappa Magazine of Kathimerini
Styling: @iro_tsou
Interview: @vlasis_kostouros
"I am self-taught on the piano. My older sister, Eleni, had started classes and so we bought a piano at home. I was excited, I was experimenting on my own and at 13, after endless efforts, I wrote my first melodies. One of the first pieces I wrote was about a theatrical performance of "Glass World" at school. It was a subtle and fragile sound. At the same time I wrote another piece, which my friends encouraged me to send to the Ministry of Tourism, because it reminded them of ouzo and Greek summer. I sent in a random mail that I found the piece and a letter and they immediately replied that they like it very much and they want me to write them one more. I went crazy. It was the first time someone showed acceptance for my music. Eventually these songs played in the Visit Greece campaigns."
