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Georgios Xenos

“We don’t know after all who is really imprisoned. The one outside or the one inside? And what kind of prison is this? Many people out there remain voluntarily incarcerated. So, I would tell you that many times being inside also involves a kind of asceticism. It has a loneliness characterized by greater freedom. So it always depends on the reason for which you are imprisoned”.
Interview to Giannis Padazopoulos

 

 

georgios_xenos_portrait_photographer_athens_greeceGeorgios Xenos was born in Athens in 1953. He studied at the Ecole nationale superieure des Beaux Arts- Section des Arts Plastiques in Paris, during the years 1976 – 1982.
From 1983 to 1986 he lived and worked in Athens. In 1987 he lived and worked in Mönchengladbach, Germany.
From 1988 to 1992 he lived and worked in Berlin, where he experienced the historical events of the Fall of Berlin’s Wall. During this period, he exhibited his work in Winckelmann Museum, Stendal (June – October 1991) and in Pergamon Museum, Berlin (January – November 1992).

Since 1993 he has been living and working in Athens.

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Panagiotis Marinis

I am sharing portrait photography of a very close friend and a lovely human being, the greek sculptor Panagiotis Marinis.  Panagiotis is an example of folk art sculptor that frees the form of his works through his instinct and his connection with nature.

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Marinis_by_Dimitris_Vlaikos_portrait__photographer_athens_greece"Sculpting with tireless but wise drive the silent surface of the stone of Aegina, Panagiotis Marinis has been processing and taming its primary material for many decades, skilfully revealing its organic nature, touching its mysterious interior which, between his hands, explodes and transforms into living flesh..." wrote Iris Kritikou in 2018 with a form the group exhibition "Diachronies", in which samples of his work were presented at the Diachronic Museum of Larissa. It returns to the same museum, from July 17 to October 30, 2023, with the solo exhibition entitled "Stone Tools", with a series of sculptures that interact with selected Neolithic and Bronze Age stone tools from the museum's collection. On this occasion, we spoke with the important artist.

 

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Panagiotis Marinis was born in 1955 in Aegina, where he lives and works until today, remaining a lover of nature and folklore and using stone as the main raw material of his work. His involvement in sculpture began in 1981 with the main stimulus being his works and meetings with Christos Kapralos, as well as the work of Grigoris Maltese. His works can be found in private collections in Greece and abroad, at the entrance of the Aegina Town Hall (work in collaboration with the painter Giorgos Chatzimihalis), as well as in the Cypriot Consulate in New York. He maintains a permanent sculpture exhibition in his Agricultural Garden in Kypseli, Aegina. He has held solo exhibitions in Athens ("The Stone He Knew", Genesis Gallery, Athens 2016 curated by: Iris Kritikou) and in Aegina (Historical and Folklore Museum of Aegina, Markello Tower, Aegina) and has participated in many group exhibitions in Museums, archaeological sites, Foundations and private art spaces in Greece and abroad. His works belong to public and private collections in Greece and abroad.

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MeToo - Violence Awareness

It is with great pleasure that we announce and invite you to the 1st "Gendered Violence - Violence Against Women" Awareness Exhibition.

Baumstrasse, Servion 8 (2nd Floor) Botanikos, Athens, 104 41

June 10-11, 2023

1.30 p.m. - 9.30 p.m.

 

Specifically, the European Network Against Violence (ENV) is organizing a two-day event on June 10-11, 2023, with the aim of raising public awareness about domestic violence against women, sexual violence and the relationship them with our patriarchally structured society. The action is implemented within the framework of the #MeNow_MeToo initiative (www.menowmetoo.gr) in collaboration with the Olympian Sofia Bekatorou.

Through works of art, speeches, theatrical events and workshops, the goal of the E.D.k.B. is to raise concerns and tell stories of women or artists who want to present them through art and visual creation.

More than 20 artists participate in the exhibition with works of art (paintings, photographs, theatrical performances, etc.). In the area of the exhibition, there will also be a bazaar with handmade items of female survivors of domestic violence and/or sexual violence as well as volunteers of the E.D.k.B.

The exhibition will be open to the public 13.30 – 21.30. The entrance is free. On Saturday and Sunday evening there will be events (speeches, theatrical events, discussion).

Artists: Efmorfia Vallas, Dimitris Vlaikos, Stavroula Geriki, Ioanna Georgopoulou, Anastasia Giannoulaki, Kosmas Dalaklis, Electra Etaridou, Angelina Zoumbouli, Tzortzia Kosmatopoulou, Konstantinos Kalfountzos, Dora Kotsi-Felicsi, Mary Kyraki, Emmanuel La pidakis, Aikaterini Mavroudi, Panagiotis Xoulogis, Christina Papatoli, Chrysoula Skepetzi, Vicky Skotida, Maria Tsouknakis, Ariadni Phytopoulou, Georgia Handzi, Alexandra Christakopoulou, the theater group "She and They" (Elene Alifragki, Spyros Anastasinis, Tasos Chalas, Andreas Psyllias)

Event: https://www.facebook.com/events/761715388965422/?ref=newsfeed

See the detailed Program here

The proceeds will be allocated for the purposes of the E.D.k.B. and covering the costs of legal support for abused women and/or children.

 

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O Βασίλης και η Μαρίνα Θεοχαράκη, είναι η έμπνευση και η κατευθυντήρια δύναμη του Ιδρύματος. Ο Βασίλης Θεοχαράκης είναι μια πολυσύνθετη προσωπικότητα στο τιμόνι ενός δυναμικού και διαφοροποιημένου ομίλου επιχειρήσεων μεγάλης εμβέλειας: από την αυτοκινητική βιομηχανία, τις τραπεζικές εργασίες, την κατασκευή και την υγειονομική περίθαλψη, στα καλλυντικά, τα ψηφιακά συστήματα και τη ναυτιλία. Mια εξίσου σημαντική διάσταση της ζωής του είναι η ζωγραφική. Παράλληλα με τις νομικές σπουδές του, παρακολούθησε μαθήματα με δάσκαλο τον μεγάλο Έλληνα ζωγράφο, Σπύρο Παπαλουκά. Η πρώτη έκθεσή του ήταν το 1957 στο Διεθνές Φεστιβάλ Νέων στη Μόσχα και από τότε έχει εκθέσει έργα του εντός και εκτός Ελλάδος, μέρος των οποίων κοσμεί σημαντικές δημόσιες και ιδιωτικές συλλογές. Του έχουν απονεμηθεί οι τίτλοι: Chevalier de La Légion d’ Honneur της Γαλλικής Δημοκρατίας, Άρχων Χαρτουλάριος από τον Οικουμενικό Πατριάρχη και και του Τάγματος του Ανατέλλοντος Ηλίου από τον Αυτοκράτορα της Ιαπωνίας. Η Μαρίνα Θεοχαράκη έχει ενεργή σχέση με τις τέχνες εδώ και πολλά χρόνια, με πολλές εκθέσεις και επιμέλειες εκδόσεων στο ενεργητικό της.

Vasilis & Marina Theocharakis

Vassilis and Marina Theocharaki are the inspiration and guiding force of the Theocharakis Foundation.
Vassilis Theocharakis is a multifaceted personality at the helm of a dynamic and diversified group of large-scale businesses: from the automotive industry, banking, manufacturing and healthcare, to cosmetics, digital systems and shipping.

An equally important aspect of his life is painting. Alongside his legal studies, he attended classes with the great Greek painter, Spyros Papaloukas. His first exhibition was in 1957 at the International Youth Festival in Moscow and since then he has exhibited his works inside and outside Greece, some of which adorn important public and private collections. He has been awarded the titles: Chevalier de La Légion d'Honneur of the French Republic, Archon Cartulary by the Ecumenical Patriarch and of the Order of the Rising Sun by the Emperor of Japan. Marina Theocharaki has had an active relationship with the arts for many years, with many exhibitions and publications to her credit.
Portrait photography for Grand Bretagne Magazine.

O Βασίλης και η Μαρίνα Θεοχαράκη, είναι η έμπνευση και η κατευθυντήρια δύναμη του Ιδρύματος. Ο Βασίλης Θεοχαράκης είναι μια πολυσύνθετη προσωπικότητα στο τιμόνι ενός δυναμικού και διαφοροποιημένου ομίλου επιχειρήσεων μεγάλης εμβέλειας: από την αυτοκινητική βιομηχανία, τις τραπεζικές εργασίες, την κατασκευή και την υγειονομική περίθαλψη, στα καλλυντικά, τα ψηφιακά συστήματα και τη ναυτιλία. Mια εξίσου σημαντική διάσταση της ζωής του είναι η ζωγραφική. Παράλληλα με τις νομικές σπουδές του, παρακολούθησε μαθήματα με δάσκαλο τον μεγάλο Έλληνα ζωγράφο, Σπύρο Παπαλουκά. Η πρώτη έκθεσή του ήταν το 1957 στο Διεθνές Φεστιβάλ Νέων στη Μόσχα και από τότε έχει εκθέσει έργα του εντός και εκτός Ελλάδος, μέρος των οποίων κοσμεί σημαντικές δημόσιες και ιδιωτικές συλλογές. Του έχουν απονεμηθεί οι τίτλοι: Chevalier de La Légion d’ Honneur της Γαλλικής Δημοκρατίας, Άρχων Χαρτουλάριος από τον Οικουμενικό Πατριάρχη και και του Τάγματος του Ανατέλλοντος Ηλίου από τον Αυτοκράτορα της Ιαπωνίας. Η Μαρίνα Θεοχαράκη έχει ενεργή σχέση με τις τέχνες εδώ και πολλά χρόνια, με πολλές εκθέσεις και επιμέλειες εκδόσεων στο ενεργητικό της.

O Βασίλης και η Μαρίνα Θεοχαράκη, είναι η έμπνευση και η κατευθυντήρια δύναμη του Ιδρύματος. Ο Βασίλης Θεοχαράκης είναι μια πολυσύνθετη προσωπικότητα στο τιμόνι ενός δυναμικού και διαφοροποιημένου ομίλου επιχειρήσεων μεγάλης εμβέλειας: από την αυτοκινητική βιομηχανία, τις τραπεζικές εργασίες, την κατασκευή και την υγειονομική περίθαλψη, στα καλλυντικά, τα ψηφιακά συστήματα και τη ναυτιλία. Mια εξίσου σημαντική διάσταση της ζωής του είναι η ζωγραφική. Παράλληλα με τις νομικές σπουδές του, παρακολούθησε μαθήματα με δάσκαλο τον μεγάλο Έλληνα ζωγράφο, Σπύρο Παπαλουκά. Η πρώτη έκθεσή του ήταν το 1957 στο Διεθνές Φεστιβάλ Νέων στη Μόσχα και από τότε έχει εκθέσει έργα του εντός και εκτός Ελλάδος, μέρος των οποίων κοσμεί σημαντικές δημόσιες και ιδιωτικές συλλογές. Του έχουν απονεμηθεί οι τίτλοι: Chevalier de La Légion d’ Honneur της Γαλλικής Δημοκρατίας, Άρχων Χαρτουλάριος από τον Οικουμενικό Πατριάρχη και και του Τάγματος του Ανατέλλοντος Ηλίου από τον Αυτοκράτορα της Ιαπωνίας. Η Μαρίνα Θεοχαράκη έχει ενεργή σχέση με τις τέχνες εδώ και πολλά χρόνια, με πολλές εκθέσεις και επιμέλειες εκδόσεων στο ενεργητικό της.

O Βασίλης και η Μαρίνα Θεοχαράκη, είναι η έμπνευση και η κατευθυντήρια δύναμη του Ιδρύματος. Ο Βασίλης Θεοχαράκης είναι μια πολυσύνθετη προσωπικότητα στο τιμόνι ενός δυναμικού και διαφοροποιημένου ομίλου επιχειρήσεων μεγάλης εμβέλειας: από την αυτοκινητική βιομηχανία, τις τραπεζικές εργασίες, την κατασκευή και την υγειονομική περίθαλψη, στα καλλυντικά, τα ψηφιακά συστήματα και τη ναυτιλία. Mια εξίσου σημαντική διάσταση της ζωής του είναι η ζωγραφική. Παράλληλα με τις νομικές σπουδές του, παρακολούθησε μαθήματα με δάσκαλο τον μεγάλο Έλληνα ζωγράφο, Σπύρο Παπαλουκά. Η πρώτη έκθεσή του ήταν το 1957 στο Διεθνές Φεστιβάλ Νέων στη Μόσχα και από τότε έχει εκθέσει έργα του εντός και εκτός Ελλάδος, μέρος των οποίων κοσμεί σημαντικές δημόσιες και ιδιωτικές συλλογές. Του έχουν απονεμηθεί οι τίτλοι: Chevalier de La Légion d’ Honneur της Γαλλικής Δημοκρατίας, Άρχων Χαρτουλάριος από τον Οικουμενικό Πατριάρχη και και του Τάγματος του Ανατέλλοντος Ηλίου από τον Αυτοκράτορα της Ιαπωνίας. Η Μαρίνα Θεοχαράκη έχει ενεργή σχέση με τις τέχνες εδώ και πολλά χρόνια, με πολλές εκθέσεις και επιμέλειες εκδόσεων στο ενεργητικό της.


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Let There Be Light

Interview By Alexia Amvrazi | July 21st, 2022 about MYRMIΔΟNES to Greece-is.com

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In an ode to his native island of Aegina, the photographer talks to Greece Is about its people, its light, and the experiences that shaped his book.

It took 20 years and over 2000 photos for Dimitris Vlaikos to decide it was time to place the soul of his work into the body of a beautiful hard-cover coffee table book that could grace homes around the world.

Titled “Myrmidones” after the name given to the inhabitants of his native Aegina (the introduction aptly explains the various possibilities of where the name originates), the book is composed of images depicting an extraordinary blend of local characters, landscapes and everyday details. The book is mostly anthropocentric, because Vlaikos has honed the art of capturing his subjects’ personal essence without guidance, a talent that has gained him a great reputation as a portrait artist and numerous assignments to photograph well known personalities.

 

Leafing through the book was a deeply touching experience. The way in which the photographer has captured the essence of his subjects – human or not – makes it an ode of sorts to his home island, rich in emotion, but characterized by stark realism.

Vlaikos spends half of the year in Aegina, chiefly during the summer months, and the rest of his time travels to and fro between various work projects. By creating this book, it seems as if he has established an unbreakable bond with the Saronic island’s people, land and elements, regardless of where he finds himself.

It’s apparent by looking at your book that you harbor a great love for your island.

There are amazing people living there, and it is multifaceted in a way that I’ve rarely witnessed elsewhere. Also, what I love about Aegina is that you can be sitting at a café where there’s a minister drinking coffee and at the table next to him, a fisherman – and the waiter will treat each of them with the same courtesy – or the same rudeness! Some people have described the island as ataxic. You feel and see that.

I think that has a lot to do with the fact that most of the island is flat – so all houses are on the same level, and everyone has the same access and right to light. It’s the same with the sea. There aren’t some beaches that are more exclusive than others, anyone can go to any beach, or rock, and swim. Overall, Aegina seems to bring out a life force in people, and if you’re the kind of person that wants to evolve, it offers you that possibility.”

How did the book project evolve?

 

The Myrmidones reached a very high level of civilization in antiquity thanks to the elements of their land – the rock, the light, the sea, the raw materials, their drive to create. And until today, these elements remain essentially the same. So the book was my way of juxtaposing the Myrmidones of the past with those of today.

I also wanted to create a book that is like an art object, a beautiful memento to have in one’s house. I put a lot of care into every aspect – including the use of only black ink, which is very rare. I collaborated with a very good friend, the graphic artist Dimitris Makaratzis, who created the cover, as well as Despina Giannouli, who wrote the texts (in Greek and English) and is my wife and writes and directs theatre plays. My professor Vasilis Artikos, whose exhibition “In drum and dance at the rock-cut churches of Lalibela” is currently on show the Byzantine and Christian Museum in Athens, provided much advice and support, as well as other close friends.

How does the light of Aegina and influence your work?

 

In my research, I centered on the various elements of light. [In the book, Despoina Giannouli writes: “Thanks to the geomorphology of the island, almost all of its inhabitants can savor the light from sunrise to sunset. The paspara, the white stone and the fine-grained soil reflect the sun’s rays intensifying the colors of nature.”]

 

It’s not by chance that Nikos Kazantzakis lived there for 20-30 years, or Giannis Moralis, for most of his life, or Christos Kapralos, or the poet Katerina Anghelaki-Rooke, and they all produced their work there – it wasn’t their place for holidays but for creative work. And today the island is home to over 100 artists, so this land, and especially its light has something special that has drawn so many creators from antiquity until the present day. Light is my tool, it’s what made me want to evolve my art.

Apart from light, what do you feel are the other strong elements that inspired this work?

I think the energy of the land plays a significant role, but that’s not something that I can define with words. In the book’s introduction to the origin of the name Myrmidones, one of the ways they’re defined is that they were “the people of the “myriad vibrations,” as Aegina was considered to be a region of strong and sacred energy vibrations, a place fertile for spiritual development.

 

How did you put the book together?

An important part of this book is the rhythm one follows as one turns the pages. I wanted it to create in the viewer a musical rhythm, a transition from image to image through a story of sorts, like a journey.

Hand of a farmer, Mesagros. © Dimitris Vlaikos / "Myrmidones" book cover. © Dimitris Vlaikos

What will become of the rest of the photos you’ve taken?

They will remain in my archives, and maybe I’ll use them in future. I have a space in my studio/gallery space in Aegina where, upon appointment, one can come and see exhibits.

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Central distribution of “Myrmidones” is at “Lixnari Aegina” Bookstore. E-mail: lixnari@otenet.gr. Tel: +30 22970 26424. Shipments are made throughout Greece and abroad.


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MYRMIDONES photo-book release

MYRMIDONES_dimitris_vlaikos_photo"MYRMIDONES" is the imprint of Dimitris Vlaikos' search on the island of Aegina for the last 20 years.
Focusing on people, the photographer walks a path of observation and understanding of the elements composing the place where he was born and raised.
Light, a key tool in his work, turns into an object of study in terms of its effect on the character, perception, creativity and course of life, both of the island's inhabitants and of himself. Through his lens he wishes to discover how his experiences have become the memory which influences and shapes his choices, his perspective and the aesthetic approach to his work.
The images in the book present moments from the daily life of the inhabitants, portraits of people interacting with their environment, and all those elements that make up the culture which inspires, challenges and embraces the Myrmidons of yesterday and today.

 

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Myrmidones_photo-book_vlaikosCredits

Photos © Dimitris Vlaikos

Texts © Despina Giannouli

Text editing: Natassa Ntouma

Translation: Doris Brumma

Design: Dimitris Vlaikos

Film scanning: Filmora Lab

Executive editor: Tasos Papacharalambous

Print: Smart Print

Published by: Dimitris Vlaikos Gallery

ISBN 978-618-00-3754-8

 

Album features

Edition: 1st edition

Cover: Hardcover

Number of pages: 178 pages

Number of pictures: 89 pictures

Dimensions: 28cm* 29cm

Language: Greek and English

 

Central distribution : “Lixnari Aegina” Bookstore

Contact details and orders:

e-mail: lixnari@otenet.gr

phone number: +30 22970 26424

(Shipments throughout Greece and abroad)

 

https://youtu.be/oRceXQTAJTE

 


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Marios Schwab

"Marios Schawb is a creative director and a prominent representative of British fashion, having studied in Austria, Berlin and London, the renowned Greek-Austrian designer founded the brand of the same name in 2005. A year later, Marios Schwab received the British Designer of the Year award at the British Fashion Awards. One of the most important collaborations of his career was the one with the historical American fashion house Halston, which started in 2009 and lasted for two years. Among his most impressive collections was the famous Chiaroscuro collection for the summer of 2012. This season, Schwab is interested in a more sustainable, more responsible approach to fashion and production. Collaboration with Zeus + Dione offers him this opportunity. Their goal is to jointly highlight the value of proper management of valuable materials. Materials that characterize the work of the creator over time".

The portrait photoshoot took place at the Winter Garden of Grand Bretagne hotel for the Hotel Magazine.

 

 

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Nikos Stampolidis

Portrait photography for Nikos Stampolidis Director-General of the Acropolis Museum. The Acropolis Museum is included in the best museums in the world, while during its twelve-year operation has created new data in the country’s museum landscape. The selection of Prof. Nikos Stampolidis creates new perspectives and offers additional dynamics to a Museum that has attracted important international distinctions and (has gained) the preference of visitors from Greece and abroad. Nikos Stampolidis, an archaeologist with award-winning work, in addition to being a scholar with excellent training, is a man with a modern understanding of both archaeology and the connection between culture and society. It has the knowledge, the mood, and the vision so that the Acropolis Museum can dynamically continue its highly successful work, as well as expand and multiply its activities “.

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Ioannis Angelakis

"I was born in Thessaloniki in 1988 but grew up in Athens. I'm a composer of contemporary experimental music, working, that is, with classical acoustic instruments and exploring idiosyncratic aspects of their physicality. I seek to discover sounds that are not fully controllable by the performers; that are inherently unstable and constantly moving; that entail a particular logic in the way that they unfold; that presup- pose a particular body-instrument relationship, and that call fora new mode of listening, disentangled from classical
forms and traditional parameters and intended for the kind of pleasure that arises from the revelation of sound's internal structures. structures.
Greekness" is expressed in my music through the violent use of instruments, the bluntness of the human voices, and the constant strife between two contradictory elements: disparate musical materials that remain indeterminate and anarchic, and a determinate structure that violently imposes form on the formless and shape on the shapeless. I think that all Greek tragedies thematize the violence stemming from this conflict: a man striving, without order, to shape his course within a condition that is predetermined by the gods. However, violence and bluntness in my work are not just sonic events that point to the Greek identity of my music. They also demarcate violence and barbarism as political concepts. I want my work to be revealing, not because of its bold themes but because the violence in the sound may give prominence to our fragility and vulnerability."

The portrait photography of the composer Ioannis Angelakis took place in his studio in Athens for Electra Hotels Magazine.

Text by Natasha Blatsioy.

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Eleytheria Deco for Kappa Magazine

In this portrait photography I was pleased to meet and work with one of my favourite greek artists, the lighting designer Eleytheria Deco. I knew Eletheria's Deco work since 2004 when she awarded with EMI award for the light design of the Olympic Games ceremony "Athens 2004 Olympics".

Since then and due to our common interest, "light" ("phos", greek word for light and first synthetic work for photo-graphy) , I have been watching her works with great interest. She has an open field of design like theaters, festivals, museums, public spaces, events and architectural lighting projects. The special thing with her works is that sometimes it is like she has a signature and gives you a feeling that you can identify her aesthetic.

Her recent work was the light design of Acropolis. The new lighting will highlight nine points of the ancient monument: the Acropolis hill, the walls, the Parthenon, the Propylaea, the Temple of Athena Nike, the Erechtheion, the Theater of Dionysus, the Stoa of Eumenes and the Sanctuary of Dionysus. As the Culture Ministry underlines, for the first time the choragic monument of Thrasyllos, the Asklepieion of Athens, the caves of Apollo and Aglauros, and the Sanctuary of Aphrodite, will all be illuminated.

It was great pleasure of meeting and work with her for this portrait season for her interview in Kappa Magazine of Kathimerini newspaper. Her portraits published on 19-12-2020.

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